In the first part of Chesterton’s essay (add link to last weeks post), the following key points, among many others, were made:
The loneliness of God is a uniting theme of the Old Testament.
God is lonely in the sense that he means more and knows better what he is doing than any of the beasts of his creation.
Humans in the Old Testament are less role models for our imitation but tools God uses to achieve his purposes. That is simply the way it is for the books of the Hebrew Bible except for the book of Job.
Job alone in the Old Testament asks what the purpose of God is. He demands an explanation from God out of respect for God. “What is God doing with humans and is it worth the sacrifice?” He wants the way of the world to be justified while being certain that God is good and that there is an explanation. He just doesn’t understand it. He wants God to justify himself and is sure he can.
His friends believe, not so much in the goodness of God as in the strength of God. God is so strong that it is best to call him good in the face of suffering. They are sure that everything, the good and the horrendous, fit together. They imagine their belief will bring comfort to people like Job who are in pain.
God answers the questions of Job and his friends, not with direct answers, but with questions of his own. Like a lawyer in a criminal trial, he begins his examination by asking the question of who Job is. Job, after some self-reflection, decides that he does not know.
This is where we continue Chesterton’s introduction to Job. The remainder of the essay is below, followed by my notes on the key points of this section of his essay.
IV. Three Great Facts of the Speech of God: The First
This is the first great fact to notice about the speech of God, which is the culmination of the inquiry. It represents all human skeptics routed by a higher skepticism. It is this method, used sometimes by supreme and sometimes by mediocre minds, that has ever since been the logical weapon of the true mystic. Socrates, as I have said, used it when he showed that if you only allowed him enough sophistry, he could destroy all sophists. Jesus Christ used it when he reminded the Sadducees, who could not imagine the nature of marriage in heaven, that if it came to that they had not really imagined the nature of marriage at all. In the breakup of Christian theology in the eighteenth century, Butler used it, when he pointed out that rationalistic arguments could be used as much against vague religions as against doctrinal religion, as much against rationalist ethics as against Christian ethics. It is the root and reason of the fact that men who have religious faith have also philosophic doubt. These are the small streams of the delta; the book of Job is the first great cataract1 that creates the river. In dealing with the arrogant asserter of doubt, it is not the right method to tell him to stop doubting. It is rather the right method to tell him to go on doubting , to doubt a little more, to doubt every day newer and wilder things in the universe, until at last, by some strange enlightenment, he may begin to doubt himself.
V. Three Great Facts of the Speech of God: The Second Great Fact
This, I say, is the first fact touching the speech; the fine inspiration by which God comes in at the end, not to answer riddles, but to propound them. The other great fact which, taken together with this one, makes the whole work religious instead of merely philosophical is that other great surprise which makes Job suddenly satisfied with the mere presentation of something impenetrable. Verbally speaking the enigmas of Jehovah seem darker and more desolate than the enigmas of Job; yet Job was comfortless before the speech of Jehovah and is comforted after it. He has been told nothing, but he feels the terrible and tingling atmosphere of something which is too good to be told. The refusal of God to explain His design is itself a burning hint of His design. The riddles of God are more satisfying than the solutions of man.
VI. Three Great Facts of the Speech of God: The Third Great Fact
Thirdly, of course, it is one of the splendid strokes that God rebukes alike the man who accused and the men who defended Him; that He knocks down pessimists and optimists with the same hammer. And it is in connection with the mechanical and supercilious comforters of Job that there occurs the still deeper and finer inversion of which I have spoken. The mechanical optimist endeavors to justify the universe avowedly upon the ground that it is a rational and consecutive pattern. He points out that the fine thing about the world is that it can all be explained. That is the one point, if I may put it so, on which God, in return, is explicit to the point of violence. God says, in effect, that if there is one fine thing about the world, as far as men are concerned, it is that it cannot be explained. He insists on the inexplicableness of everything. “Hath the rain a father?. . .Out of whose womb came the ice?” (38:28f). He goes farther, and insists on the positive and palpable unreason of things; “Hast thou sent the rain upon the desert where no man is, and upon the wilderness wherein there is no man?” (38:26). God will make man see things, if it is only against the black background of nonentity. God will make Job see a startling universe if He can only do it by making Job see an idiotic universe. To startle man, God becomes for an instant a blasphemer; one might almost say that God becomes for an instant an atheist. He unrolls before Job a long panorama of created things, the horse, the eagle, the raven, the wild ass, the peacock, the ostrich, the crocodile.2 He so describes each of them that it sounds like a monster walking in the sun. The whole is a sort of psalm or rhapsody of the sense of wonder. The maker of all things is astonished at the things he has Himself made.
This we may call the third point. Job puts forward a note of interrogation; God answers with a note of exclamation. Instead of proving to Job that it is an explicable world, He insists that it is a much stranger world than Job ever thought it was. Lastly, the poet has achieved in this speech, with that unconscious artistic accuracy found in so many of the simpler epics, another and much more delicate thing. Without once relaxing the rigid impenetrability of Jehovah in His deliberate declaration, he has contrived to let fall here and there in the metaphors, in the parenthetical imagery, sudden and splendid suggestions that the secret of God is a bright and not a sad one – semi-accidental suggestions, like light seen for an instant through the crack of a closed door.
It would be difficult to praise too highly, in a purely poetical sense, the instinctive exactitude and ease with which these more optimistic insinuations are let fall in other connections, as if the Almighty Himself were scarcely aware that He was letting them out. For instance, there is that famous passage where Jehovah, with devastating sarcasm, asks Job where he was when the foundations of the world were laid, and then (as if merely fixing a date) mentions the time when the sons of God shouted for joy (38:4-7). One cannot help feeling, even upon this meager information, that they must have had something to shout about. Or again, when God is speaking of snow and hail in the mere catalogue of the physical cosmos, he speaks of them as a treasury that He has laid up against the day of battle – a hint of some huge Armageddon in which evil shall be at last overthrown.
Nothing could be better, artistically speaking, than this optimism breaking though agnosticism like fiery gold round the edges of a black cloud. Those who look superficially at the barbaric origin of the epic may think it fanciful to read so much artistic significance into its casual similes or accidental phrases. But no one who is well acquainted with great examples of semi-barbaric poetry, as in The Song of Roland or the old ballads, will fall into this mistake. No one who knows what primitive poetry is can fail to realize that while its conscious form is simple some of its finer effects are subtle. The Iliad contrives to express the idea that Hector and Sarpedon have a certain tone or tint of sad and chivalrous resignation, not bitter enough to be called pessimism and not jovial enough to be called optimism; Homer could never have said this in elaborate words. But somehow he contrives to say it in simple words. The Song of Roland contrives to express the idea that Christianity imposes upon its heroes a paradox; a paradox of great humility in the matter of their sins combined with great ferocity in the matter of their ideas. Of course, The Song of Roland could not say this; but it conveys this. In the same way, the book of Job must be credited with many subtle effects which were in the author’s soul without being, perhaps, in the author’s mind. And of these by far the most important remains to be stated.
VII. The Effect of Job
I do not know, and I doubt whether even scholars know, if the book of Job had a great effect or had any effect upon the after development of Jewish thought. But if it did have any effect it may have saved them from an enormous collapse and decay. Here in this book the question is really asked whether God invariably punishes vice with terrestrial punishment and rewards virtue with terrestrial prosperity. If the Jews had answered that question wrongly they might have lost all their after influence in human history. They might have sunk even down to the level of modern well-educated society. For when once people have begun to believe that prosperity is the reward of virtue, their next calamity is obvious. If prosperity is regarded as the reward of virtue it will be regarded as the symptom of virtue. Men will leave off the heavy task of making good men successful. He will adopt the easier task of making out successful men good. This, which has happened throughout modern commerce and journalism, is the ultimate Nemesis of the wicked optimism of the comforters of Job. If the Jews could be saved from it, the book of Job saved them.
VIII. Conclusion
The book of Job is chiefly remarkable, as I have insisted throughout, for the fact that it does not end in a way that is conventionally satisfactory. Job is not told that his misfortunes were due to his sins or a part of any plan for his improvement. But in the prologue we see Job tormented not because he was the worst of men, but because he was the best. It is the lesson of the whole work that man is most comforted by paradoxes. Here is the very darkest and strangest of the paradoxes; and it is by all human testimony the most reassuring. I need not suggest what high and strange history awaited this paradox of the best man in the worst fortune. I need not say that in the freest and most philosophical sense there is one Old Testament figure who is truly a type; or say what is prefigured in the wounds of Job.
Randy’s Notes:
I am still plumbing the depts of Chesterton’s essay on Job. but here are the “take home” notes I have thus far:
God’s comments in Job don’t solve the riddle but add more riddles. Job and the reader’s doubts are increased and the effect is unexpected. We find ourselves on a little-used path to greater knowledge. Through increased wonder we find deeper insight. As Chesterton puts it: “the riddles of God are more satisfying than the answers of human beings.”
In fact, God insists, not on answering our questions, but on the inexplicableness of everything as far as humans are concerned. The world is a much stranger thing than we ever imagined.
At the same time, the book of Job hints at the idea that the secrets of God are not dark and dystopic, but brilliant and bright.
Another takeaway from Job is that prosperity is not a symptom of virtue. This story of the best of men experiencing the deepest of suffering (in Job and also in the first four books of the New Testament) teaches us to give up the all too common attempt to make out the wealthy as if, because of that wealth, they are in fact good. Instead, we are encouraged to continue in the much more difficult work of making truly good people and creating churches and societies where the truly good people are also live wisely and well.
Feel free to share any of your insights in the comments below!
Cataract, in this sense, is a waterfall.
All I can say in this is that I am grateful for the last paragraphs you wrote to clarify what Chesterton wrote. “Through increased wonder we find deeper insight. As Chesterton puts it: “the riddles of God are more satisfying than the answers of human beings” is the encouragement for me to continue to learn the act of ‘wonder’